On this tour, Emily Feng ’25 will explore how certain works of art provoke a sense of disorientation. A student of philosophy and economics, Feng will look closely at three works: Saxon Motif (1964), an oil painting made in West Germany by Georg Baselitz; Zhan Wang’s Sculpture in the Form of a Nine-Hole Scholar’s Rock, made in China in 2001; and The End of the World (1936), a painting by David Alfaro Siqueiros, which he produced in New York City.