BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250912T210000Z DTSTAMP:20260313T044802Z DTSTART:20250912T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220069507 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250913T210000Z DTSTAMP:20260313T044802Z DTSTART:20250913T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220071556 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250914T210000Z DTSTAMP:20260313T044802Z DTSTART:20250914T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220072581 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250916T210000Z DTSTAMP:20260313T044802Z DTSTART:20250916T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220074630 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250917T210000Z DTSTAMP:20260313T044802Z DTSTART:20250917T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220076679 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250918T210000Z DTSTAMP:20260313T044802Z DTSTART:20250918T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220078728 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250919T210000Z DTSTAMP:20260313T044802Z DTSTART:20250919T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220080777 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250920T210000Z DTSTAMP:20260313T044802Z DTSTART:20250920T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220082826 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250921T210000Z DTSTAMP:20260313T044802Z DTSTART:20250921T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220084875 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250923T210000Z DTSTAMP:20260313T044802Z DTSTART:20250923T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220086924 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250924T210000Z DTSTAMP:20260313T044802Z DTSTART:20250924T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220088973 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250925T210000Z DTSTAMP:20260313T044802Z DTSTART:20250925T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220089998 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250926T210000Z DTSTAMP:20260313T044802Z DTSTART:20250926T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220092047 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250927T210000Z DTSTAMP:20260313T044802Z DTSTART:20250927T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220094096 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250928T210000Z DTSTAMP:20260313T044802Z DTSTART:20250928T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220096145 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20250930T210000Z DTSTAMP:20260313T044802Z DTSTART:20250930T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220098194 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251001T210000Z DTSTAMP:20260313T044802Z DTSTART:20251001T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220100243 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251002T210000Z DTSTAMP:20260313T044802Z DTSTART:20251002T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220102292 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251003T210000Z DTSTAMP:20260313T044802Z DTSTART:20251003T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220104341 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251004T210000Z DTSTAMP:20260313T044802Z DTSTART:20251004T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220106390 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251005T210000Z DTSTAMP:20260313T044802Z DTSTART:20251005T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220108439 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251007T210000Z DTSTAMP:20260313T044802Z DTSTART:20251007T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220110488 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251008T210000Z DTSTAMP:20260313T044802Z DTSTART:20251008T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220112537 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251009T210000Z DTSTAMP:20260313T044802Z DTSTART:20251009T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220114586 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251010T210000Z DTSTAMP:20260313T044802Z DTSTART:20251010T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220115611 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251011T210000Z DTSTAMP:20260313T044802Z DTSTART:20251011T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220117660 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251012T210000Z DTSTAMP:20260313T044802Z DTSTART:20251012T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220119709 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251014T210000Z DTSTAMP:20260313T044802Z DTSTART:20251014T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220121758 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251015T210000Z DTSTAMP:20260313T044802Z DTSTART:20251015T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220123807 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251016T210000Z DTSTAMP:20260313T044802Z DTSTART:20251016T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220125856 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251017T210000Z DTSTAMP:20260313T044803Z DTSTART:20251017T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220127905 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251018T210000Z DTSTAMP:20260313T044803Z DTSTART:20251018T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220129954 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251019T210000Z DTSTAMP:20260313T044803Z DTSTART:20251019T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220132003 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251021T210000Z DTSTAMP:20260313T044803Z DTSTART:20251021T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220134052 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251022T210000Z DTSTAMP:20260313T044803Z DTSTART:20251022T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220136101 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251023T210000Z DTSTAMP:20260313T044803Z DTSTART:20251023T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220138150 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251024T210000Z DTSTAMP:20260313T044803Z DTSTART:20251024T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220140199 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251025T210000Z DTSTAMP:20260313T044803Z DTSTART:20251025T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220142248 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251026T210000Z DTSTAMP:20260313T044803Z DTSTART:20251026T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220143273 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251028T210000Z DTSTAMP:20260313T044803Z DTSTART:20251028T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220146346 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251029T210000Z DTSTAMP:20260313T044803Z DTSTART:20251029T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220147371 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251030T210000Z DTSTAMP:20260313T044803Z DTSTART:20251030T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220149420 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251031T210000Z DTSTAMP:20260313T044803Z DTSTART:20251031T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220151469 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251101T210000Z DTSTAMP:20260313T044803Z DTSTART:20251101T140000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220153518 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251102T220000Z DTSTAMP:20260313T044803Z DTSTART:20251102T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220155567 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251104T220000Z DTSTAMP:20260313T044803Z DTSTART:20251104T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220157616 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251105T220000Z DTSTAMP:20260313T044803Z DTSTART:20251105T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220159665 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251106T220000Z DTSTAMP:20260313T044803Z DTSTART:20251106T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220161714 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251107T220000Z DTSTAMP:20260313T044803Z DTSTART:20251107T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220163763 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251108T220000Z DTSTAMP:20260313T044803Z DTSTART:20251108T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220165812 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251109T220000Z DTSTAMP:20260313T044803Z DTSTART:20251109T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220167861 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251111T220000Z DTSTAMP:20260313T044803Z DTSTART:20251111T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220169910 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251112T220000Z DTSTAMP:20260313T044803Z DTSTART:20251112T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220171959 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251113T220000Z DTSTAMP:20260313T044803Z DTSTART:20251113T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220174008 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251114T220000Z DTSTAMP:20260313T044803Z DTSTART:20251114T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220176057 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251115T220000Z DTSTAMP:20260313T044803Z DTSTART:20251115T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220179130 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251116T220000Z DTSTAMP:20260313T044803Z DTSTART:20251116T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220181179 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251118T220000Z DTSTAMP:20260313T044803Z DTSTART:20251118T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220183228 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251119T220000Z DTSTAMP:20260313T044803Z DTSTART:20251119T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220185277 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251120T220000Z DTSTAMP:20260313T044803Z DTSTART:20251120T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220187326 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251121T220000Z DTSTAMP:20260313T044803Z DTSTART:20251121T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220189375 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251122T220000Z DTSTAMP:20260313T044803Z DTSTART:20251122T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220191424 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251123T220000Z DTSTAMP:20260313T044803Z DTSTART:20251123T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220193473 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251125T220000Z DTSTAMP:20260313T044803Z DTSTART:20251125T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220195522 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251126T220000Z DTSTAMP:20260313T044803Z DTSTART:20251126T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220197571 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251127T220000Z DTSTAMP:20260313T044803Z DTSTART:20251127T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220199620 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251128T220000Z DTSTAMP:20260313T044803Z DTSTART:20251128T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220201669 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251129T220000Z DTSTAMP:20260313T044803Z DTSTART:20251129T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220203718 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251130T220000Z DTSTAMP:20260313T044803Z DTSTART:20251130T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220205767 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251202T220000Z DTSTAMP:20260313T044803Z DTSTART:20251202T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220207816 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251203T220000Z DTSTAMP:20260313T044803Z DTSTART:20251203T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220209865 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251204T220000Z DTSTAMP:20260313T044803Z DTSTART:20251204T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220211914 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251205T220000Z DTSTAMP:20260313T044803Z DTSTART:20251205T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220213963 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251206T220000Z DTSTAMP:20260313T044803Z DTSTART:20251206T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220216012 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251207T220000Z DTSTAMP:20260313T044803Z DTSTART:20251207T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220218061 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251209T220000Z DTSTAMP:20260313T044803Z DTSTART:20251209T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220220110 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251210T220000Z DTSTAMP:20260313T044803Z DTSTART:20251210T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220222159 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251211T220000Z DTSTAMP:20260313T044803Z DTSTART:20251211T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220225232 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251212T220000Z DTSTAMP:20260313T044803Z DTSTART:20251212T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220227281 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251213T220000Z DTSTAMP:20260313T044803Z DTSTART:20251213T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220229330 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251214T220000Z DTSTAMP:20260313T044803Z DTSTART:20251214T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220231379 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251216T220000Z DTSTAMP:20260313T044803Z DTSTART:20251216T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220233428 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251217T220000Z DTSTAMP:20260313T044803Z DTSTART:20251217T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220235477 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251218T220000Z DTSTAMP:20260313T044803Z DTSTART:20251218T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220237526 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251219T220000Z DTSTAMP:20260313T044803Z DTSTART:20251219T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220239575 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251220T220000Z DTSTAMP:20260313T044803Z DTSTART:20251220T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220241624 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251221T220000Z DTSTAMP:20260313T044803Z DTSTART:20251221T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220243673 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251223T220000Z DTSTAMP:20260313T044803Z DTSTART:20251223T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220245722 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251224T220000Z DTSTAMP:20260313T044803Z DTSTART:20251224T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220247771 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251225T220000Z DTSTAMP:20260313T044803Z DTSTART:20251225T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220249820 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251226T220000Z DTSTAMP:20260313T044803Z DTSTART:20251226T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220251869 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251227T220000Z DTSTAMP:20260313T044803Z DTSTART:20251227T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220253918 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251228T220000Z DTSTAMP:20260313T044803Z DTSTART:20251228T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220255967 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251230T220000Z DTSTAMP:20260313T044803Z DTSTART:20251230T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220258016 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20251231T220000Z DTSTAMP:20260313T044803Z DTSTART:20251231T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220260065 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260101T220000Z DTSTAMP:20260313T044803Z DTSTART:20260101T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220262114 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260102T220000Z DTSTAMP:20260313T044803Z DTSTART:20260102T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220264163 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260103T220000Z DTSTAMP:20260313T044803Z DTSTART:20260103T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220266212 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260104T220000Z DTSTAMP:20260313T044803Z DTSTART:20260104T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220268261 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260106T220000Z DTSTAMP:20260313T044803Z DTSTART:20260106T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220270310 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260107T220000Z DTSTAMP:20260313T044803Z DTSTART:20260107T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220272359 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260108T220000Z DTSTAMP:20260313T044803Z DTSTART:20260108T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220274408 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260109T220000Z DTSTAMP:20260313T044803Z DTSTART:20260109T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220277481 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260110T220000Z DTSTAMP:20260313T044803Z DTSTART:20260110T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220279530 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260111T220000Z DTSTAMP:20260313T044803Z DTSTART:20260111T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220281579 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260113T220000Z DTSTAMP:20260313T044803Z DTSTART:20260113T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220283628 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260114T220000Z DTSTAMP:20260313T044803Z DTSTART:20260114T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220285677 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260115T220000Z DTSTAMP:20260313T044803Z DTSTART:20260115T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220287726 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260116T220000Z DTSTAMP:20260313T044803Z DTSTART:20260116T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220289775 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260117T220000Z DTSTAMP:20260313T044803Z DTSTART:20260117T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220291824 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT BEGIN:VEVENT CATEGORIES: DESCRIPTION:This exhibition celebrates the act of drawing using familiar to ols—charcoal\, chalk\, crayon\, and graphite. Each material exhibits distin ctive properties: charcoal can be intensely rich and velvety\, or delicatel y gray and suggestive\, while graphite is slippery\, shiny\, and easy to er ase. Crayon is deeply black and waxy\, whereas chalk can be crumbly and dif fuse. The creative manipulations of these media—smudging\, scraping\, and e rasing—make them versatile tools for adding intensity\, depth\, precision\, and expression to an artist’s vision.\n\n \n\nSketch\, Shade\, Smudge: Dra wing from Gray to Black showcases around 120 captivating works\, spanning f rom the 19th to 21st centuries\, alongside artists’ materials from the Harv ard Art Museums’ Straus Center for Conservation and Technical Studies. Visi tors will enjoy drawings by Jean-Auguste-Dominique Ingres\, Edgar Degas\, G eorges Seurat\, John Singer Sargent\, and Odilon Redon\, alongside 20th- an d 21st-century artists such as Piet Mondrian\, Lyonel Feininger\, Diego Riv era\, Richard Serra\, John Wilson\, Isabella Quintanilla\, and Toyin Ojih O dutola\, all of whom push their use of drawing media in new directions. DTEND:20260118T220000Z DTSTAMP:20260313T044803Z DTSTART:20260118T150000Z GEO:42.374219;-71.114198 LOCATION:Harvard Art Museums SEQUENCE:0 SUMMARY:Sketch\, Shade\, Smudge: Drawing from Gray to Black UID:tag:localist.com\,2008:EventInstance_50224220293873 URL:https://calendar.college.harvard.edu/event/sketch-shade-smudge-drawing- from-gray-to-black END:VEVENT END:VCALENDAR