BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Janiva Ellis: Fear Corroded Ape X-WR-TIMEZONE:Eastern Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835922542 DTSTART:20250131T170000Z DTEND:20250131T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835924591 DTSTART:20250201T170000Z DTEND:20250201T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835925616 DTSTART:20250202T170000Z DTEND:20250202T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835927665 DTSTART:20250204T170000Z DTEND:20250204T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835929714 DTSTART:20250205T170000Z DTEND:20250205T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835930739 DTSTART:20250206T170000Z DTEND:20250206T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835932788 DTSTART:20250207T170000Z DTEND:20250207T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835934837 DTSTART:20250208T170000Z DTEND:20250208T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835935862 DTSTART:20250209T170000Z DTEND:20250209T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835937911 DTSTART:20250211T170000Z DTEND:20250211T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835939960 DTSTART:20250212T170000Z DTEND:20250212T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835940985 DTSTART:20250213T170000Z DTEND:20250213T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835943034 DTSTART:20250214T170000Z DTEND:20250214T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835945083 DTSTART:20250215T170000Z DTEND:20250215T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835946108 DTSTART:20250216T170000Z DTEND:20250216T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835948157 DTSTART:20250218T170000Z DTEND:20250218T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835950206 DTSTART:20250219T170000Z DTEND:20250219T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835951231 DTSTART:20250220T170000Z DTEND:20250220T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835953280 DTSTART:20250221T170000Z DTEND:20250221T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835955329 DTSTART:20250222T170000Z DTEND:20250222T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835956354 DTSTART:20250223T170000Z DTEND:20250223T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835958403 DTSTART:20250225T170000Z DTEND:20250225T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835960452 DTSTART:20250226T170000Z DTEND:20250226T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835961477 DTSTART:20250227T170000Z DTEND:20250227T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835963526 DTSTART:20250228T170000Z DTEND:20250228T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835965575 DTSTART:20250301T170000Z DTEND:20250301T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835966600 DTSTART:20250302T170000Z DTEND:20250302T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835968649 DTSTART:20250304T170000Z DTEND:20250304T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835970698 DTSTART:20250305T170000Z DTEND:20250305T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835972747 DTSTART:20250306T170000Z DTEND:20250306T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835973772 DTSTART:20250307T170000Z DTEND:20250307T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835975821 DTSTART:20250308T170000Z DTEND:20250308T220000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835977870 DTSTART:20250309T160000Z DTEND:20250309T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835979919 DTSTART:20250311T160000Z DTEND:20250311T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835980944 DTSTART:20250312T160000Z DTEND:20250312T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835982993 DTSTART:20250313T160000Z DTEND:20250313T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835985042 DTSTART:20250314T160000Z DTEND:20250314T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835987091 DTSTART:20250315T160000Z DTEND:20250315T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835988116 DTSTART:20250316T160000Z DTEND:20250316T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835990165 DTSTART:20250318T160000Z DTEND:20250318T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835992214 DTSTART:20250319T160000Z DTEND:20250319T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835994263 DTSTART:20250320T160000Z DTEND:20250320T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835995288 DTSTART:20250321T160000Z DTEND:20250321T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835997337 DTSTART:20250322T160000Z DTEND:20250322T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746835999386 DTSTART:20250323T160000Z DTEND:20250323T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001602Z UID:tag:localist.com\,2008:EventInstance_48746836000411 DTSTART:20250325T160000Z DTEND:20250325T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836002460 DTSTART:20250326T160000Z DTEND:20250326T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836004509 DTSTART:20250327T160000Z DTEND:20250327T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836006558 DTSTART:20250328T160000Z DTEND:20250328T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836008607 DTSTART:20250329T160000Z DTEND:20250329T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836009632 DTSTART:20250330T160000Z DTEND:20250330T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836011681 DTSTART:20250401T160000Z DTEND:20250401T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836013730 DTSTART:20250402T160000Z DTEND:20250402T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836015779 DTSTART:20250403T160000Z DTEND:20250403T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836016804 DTSTART:20250404T160000Z DTEND:20250404T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836018853 DTSTART:20250405T160000Z DTEND:20250405T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT BEGIN:VEVENT DTSTAMP:20260613T001603Z UID:tag:localist.com\,2008:EventInstance_48746836020902 DTSTART:20250406T160000Z DTEND:20250406T210000Z DESCRIPTION:January 31–April 6\, 2025 \n\nIn preparing for her exhibiti on at the Carpenter Center\, Janiva Ellis reengaged with paintings that ha d remained unfinishable in her studio for years\, floating in and out of h er consciousness. The artist has called these “dust bunny ideas”—har d-to-resolve paintings that settle into corners of her studio to be contin uously reworked\, with long breaks in between. As a result\, much has chan ged in the world during their long gestation. Fear Corroded Ape asks what it means to assemble a group of “unresolvable” images. \n\nEllis reco nfigures a broad array of imagery from art historical portraiture and land scape conventions\, animation\, and popular culture into dissonant scenes. By turns explicit and obscuring\, her paintings narrativize white existen tialist mythology alongside social degradations and the brutal\, nuanced f orces that enable their denial. Employing a broad range of techniques and motifs\, Ellis operates beyond the mere exposure of these forces\, manipul ating their sentimental resonances to reveal the desires inherent in cultu ral canonization. GEO:42.373646;-71.114261 LOCATION:Carpenter Center for the Visual Arts\, Level 3 Gallery SUMMARY:Janiva Ellis: Fear Corroded Ape URL;VALUE=URI:https://calendar.college.harvard.edu/event/janiva-ellis-fear- corroded-ape END:VEVENT END:VCALENDAR